The artwork displayed demonstrates a distinctive approach to working with the printmaking medium. The artwork conveys cross-hatching to create tonal value, thereby adding dimension to the work. Furthermore, the Linocut approach involves carving a reverse image on wood, which is then transferred to paper in an ink-stamp-like manner. Focusing mainly on the dimensions of the face, I depict a famous humanoid robot, Ameca from Engineered Arts.
Title: , The Evolution, 2025, Artists’ Ink, 11.3 x 11.5 cm
Title: , The Sleeping, 2025, Lino Printing Ink, 21.0 x 29.7 cm
Title: , Golden Hour, 2025, Spray Paint, 29.7 x 42.0 cm
The two artworks displayed show two different approaches to working with charcoal media. The first work employs a dark-to-light method, in which I apply a dark layer onto a white background using charcoal through expressive markmaking. In the second work, I employed a light-to-dark method, using charcoal to block out the background. Then, I used a kneadable eraser to introduce light and tone. Through these, I emphasised the three-dimensionality of my works.
The two artworks displayed demonstrate two distinct approaches to working with the paint medium. The first work employs a tone-based approach focusing mainly on the dimensions of the face. In the second work, I used an abstract approach to create a sense of warped perspective that focuses on the shape and form.
Title: The Awakening, 2025, Acrylic Paint, 29.7 x 42.0 cm
Title: The Revealed, 2025, Acrylic Paint, 29.7 x 42.0 cm
Title: , Humanoid, 2025, Acrylic Paint, 29.7 x 42.0 cm
Title: The Hourglass, 2025, Atelier Artists’ Ink, 29.7 x 42.0 cm
