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This image features the word “BIDJARA” created using spray paint of 3 cut out stencilled layers.
Purpose:






Description of Process:
For these hand-cut stencils, I used Mylar and plastic sheets to create the geometric designs, and paper for the Bidjara stencil. Each design was carefully cut with a craft knife to achieve clean, precise edges. The Mylar worked particularly well because it was durable yet flexible, allowing for multiple uses without tearing. I found that the layering of colours, especially when using spray paint, produced interesting depth and dimensional effects. One of the main challenges was maintaining control over fine details while cutting and preventing the stencil edges from lifting during spraying, which sometimes caused smudging. I fixed this by taping down the stencil and using thin, even coats of paint. Overall, the process was effective in exploring texture, repetition, and pattern, and it helped refine my technique for achieving crisp, professional stencil prints.
Conceptual Reflection:
Through these stencil experiments, I aimed to explore the relationship between structure, repetition, and cultural identity—particularly through the use of the Bidjara text as both a linguistic and visual symbol. The geometric stencils reference patterns found in traditional design such as the V shape symbol and natural formations, while the layered spray paint and texture convey the blending of cultural heritage with modern visual language. This process has encouraged me to think more critically about layering as a conceptual device, using transparency and repetition to represent overlapping narratives of place and identity in my resolved work. Looking forward, I see potential to apply this technique in installations or large-scale mural projects, expanding the conversation between surface, pattern, and meaning. This process is similar to the work of Gordon Bennett and Reko Rennie, who use abstract designs and repeated patterns to explore cultural identity.
Creating this series of collages has been a transformative and enlightening experience, allowing me to explore the interplay of colour, shape, and composition in a meaningful way. Each piece serves as a unique exploration of themes related to nature, emotion, and visual harmony.
The use of vibrant colours, such as pink, yellow, red, and purple, has been integral in conveying different moods and feelings. For instance, the pink flowers evoke a sense of cheer and innocence, while the red flowers introduce an element of passion and energy. This exploration has deepened my understanding of how colour can influence perception and emotional response.
Working with the concept of layering has been particularly rewarding. The repetition of floral motifs, combined with the playful use of outlined bubbles, creates a dynamic rhythm within each collage. This process has enhanced my ability to think critically about composition and how different elements can interact to create a cohesive visual narrative.
Drawing inspiration from nature and the little wild flowers found in my area, has allowed me to connect with the beauty and simplicity of the world around me. Each floral arrangement reflects an appreciation for the diversity and intricacy of natural forms. This thematic focus has encouraged me to observe and appreciate the subtleties of my environment more keenly.
This project has also been a journey of personal growth. Engaging in the practice of collage has encouraged me to embrace experimentation and playfulness in my artistic process. I have learned to trust my instincts and allow the materials to guide my creative decisions, fostering a sense of freedom and exploration.
Overall, this series of collages represents a harmonious blend of artistic expression and emotional resonance. It has reinforced my belief in the power of visual art to communicate complex ideas and evoke deep feelings. As I continue my artistic journey, I am excited to further explore the possibilities of collage and the rich narratives it can convey.

The first collage consists of concentric circles, one on a black background and the other on a beige background.
Purpose:

The second collage presents an abstracted landscape featuring layered shapes and patterns, including hills, a tree silhouette, and various textures.
Purpose:
Both collages emphasize the fundamental concepts of color, shape, and composition, allowing for exploration and experimentation in visual layering. They collectively demonstrate the versatility of collage as a medium, while also challenging me to think critically about visual relationships.
Description and Purpose of the Collages

This collage features multiple pink flowers with green leaves arranged against a textured light background.
Purpose:

In this collage, yellow flowers are interspersed with outlined circles against a similar textured background.
Purpose:

This collage mirrors the second, featuring red flowers with outlined circles, maintaining a playful composition.
Purpose:

Similar in structure to the previous collages, this piece showcases purple flowers with outlined circles.
Purpose:
Description and Purpose of the Collage

This collage features a prominent hibiscus flower, surrounded by botanical elements, creating a lush composition.
Purpose:
This series of collages explores the interplay of color, shape, and composition, demonstrating how different elements can evoke varied emotional responses. Through repetition, variation, and the use of floral motifs, the works invite viewers to reflect on the beauty of nature and the joy of artistic expression. Each collage contributes to a broader narrative about visual layering and the transformative power of collage as a medium.